October 1st’s entry in my calendar reads: “Make Christmas cards by Hallowe’en”. There is a reason for that: although early October seems still to belong to late summer, it takes an abrupt turn half way through and Hallowe’en is definitely the gateway to winter followed by everything associated with Christmas. And I forgot Folktale Week was in November. It’s happening right now, and in spite of having had one whole month’s lead time following the prompts release I still ended up doing last minute Folktale illustrations this week, because I made my Christmas and birthday cards at the beginning of November instead of what my organised self told me to do in October.
It's Christmas- and birthday-card making season, which I always enjoy. An excuse to get out all sorts of crafting materials and have fun with rubber stamps, stick things together with the hot glue gun, play with spangles, blob around with paint and generally increase the peace. I never have a single idea what I'm going to do at the beginning, but something always happens. I began completely empty headed, but as soon as all the bits and pieces came out and I started playing with them the cards made threw themselves together. It's so satisfying to see the neat rows of finished, folded cards.
Benign Little Town
15 x 21cm, gouache, mapping pens and printing ink on Japanese tissue This is the third work I submitted to the Open Eye Gallery’s On a Small Scale annual Christmas exhibition. This is just about my last work on Kozu Shi tissue paper, which ceased production about 4 years ago. When I discovered it wasn’t being made any more I rang my supplier, Lawrence Arts, who kindly dug out all their remaining sheets for me. Apart from two small pieces, these works for the Christmas exhibition have finally used it all up, but I have already found an excellent replacement from Lawrence Arts. The entire exhibition will be available online this year, for the first time in its history, alongside selected works on show in the gallery. The gallery is open by appointment only at the moment, for details and contact details please visit the gallery here. Star Making Machine 150x300mm Ink, monotype and gouache on Japanese tissue I finished three works for the On a Small Scale exhibition at the Open Eye Gallery this week. Usually I catch the train to Edinburgh to hand them into the gallery, it's a highlight of my year - the beautiful journey across the Forth Bridges followed by a warm welcome when I arrive at the Gallery. This year was different, though, due to coronavirus measures. Fife, where I live, is in tier 2 restrictions at the moment while Edinburgh is higher in tier 3, and people have been told to remain in their own health board districts and not to travel unless absolutely necessary. I decided to post my works this year. Read on for the maelstrom (or should that be Mailstrom?) of Jobsworth which followed ...
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Welcome to my work journal - a weekly update on drawings, work in progress, doodles and day-dreaming.
I changed the website address a few months ago, so some older links on previous posts are broken. If you click one of those and it takes you to a strange page, simply replace the .co.uk after the heatherelizawalker. with weebly.com and it will work again. <<<<<<<<<<<<<<<<<<
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As well as the work you see here, I illustrate under the name of Binky McKee (my mother's maiden name was McKee, Binky was every single one of my great grandmother's many cats!)
If you would like to visit my Binky website, please click the picture above. <<<<<<<<<<<<<<<<
Dissolving PeopleA symbol on the footpath outside a local primary school gradually disappearing as the image breaks up and wears away until eventually it is obliterated by leaves and barely discernible. Photographed at intervals of several months between February 2021 and November 2022, oldest at the top.
(My shoes look so new in the first pic, and note the transition to new phone in the last photo). <<<<<<<<<<<<<<<<
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April 2024
(Sorry the archives don't nest!)
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A 2013 work book, still very much in use Please note all images on this website are ©Heather Eliza Walker 2013 - 2020, and may not be used or reproduced without prior consent. |